The Waterfall of the Phlegethon, 1964

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The Waterfall of the Phlegethon, 1964

$1,450.00

Salvador Dali (Spanish, 1904-1989)                          

Medium: Traditional Japanese Woodcut on B.F.K. Rives

Edition No.: 2124/3188

Dimensions: 10.5" x 13" (26.5" x 23.5" with frame)

Catalogue Raisonné: Michler and Löpsinger 1039-1138

At the height of his fame, surrealist, Salvador Dali, was commissioned by the Italian government to illustrate ‘The Divine Comedy’ by Dante Alighieri (1265-1321). Dali was given eight years to complete the artwork which was to be released as a limited-edition in 1965, marking the 700th anniversary of Dante’s birth. His works were produced using a tradition Japanese woodcut to mimic the original watercolor paintings. With this technique, 3,500 wood blocks, approximately 35 separate blocks per illustration, were carved, and the 101 works that make up Salvador Dali the Divine Comedy were executed over a 14 year period from 1951 to 1964. The wood blocks were promptly destroyed to insure the limited availability of these masterworks. 

 

In the collection of :

Dallas Museum of Art (DMA)

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This work comes with full historical documentation, which includes the following: Certificate of Authenticity, Letter of Appraisal, Justification Pages from the Printer/Publisher, as well as additional information on the artist and the print at

This work comes with full historical documentation, which includes the following: Certificate of Authenticity, Letter of Appraisal, Justification Pages from the Printer/Publisher, as well as additional information on the artist and the print atelier's collaboration.

This piece is referenced as well in various catalogue raisonnés (a comprehensive, annotated listing of all the known works of an artist either in a particular medium or all media), which is provided on the Certificate of Authenticity and companion pages. Also included is the work's recorded provenance history. All the paperwork is protected and sealed inside a hard-bound folio.

The Certificate of Authenticity accompanying this work guarantees its authenticity.

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This frame has a traditional scope cut, layered with a warm patina and gold flakes burnished on ornate details. Moulding width 3".   Artwork protected by a white archival, acid-free fabric mat. Sealed by Tru-Vue® museum grade (F

This frame has a traditional scope cut, layered with a warm patina and gold flakes burnished on ornate details. Moulding width 3".  

Artwork protected by a white archival, acid-free fabric mat. Sealed by Tru-Vue® museum grade (FF3) acrylic plexiglass, which is a shatterproof glass replacement*. 

*Upgrade Option available to UV Filter protection (OP3) or Optium Museum Acrylic®.

 

This artwork is hinged, highlighting the deckle edges of the wove paper. The artwork is suspended inside the frame, using the highest archival and museum standards. The artwork is secured inside the frame using a high tensile and acid-free hing

This artwork is hinged, highlighting the deckle edges of the wove paper. The artwork is suspended inside the frame, using the highest archival and museum standards. The artwork is secured inside the frame using a high tensile and acid-free hinging tape with a neutral pH adhesive.

This artwork is framed and sealed with an archival, pressure sensitive tape, firmly sealing the acid-free protective backing to the frame. This foil layer, which is a non-yellowing, permanent acrylic adhesive, also provides an effective barrier for

This artwork is framed and sealed with an archival, pressure sensitive tape, firmly sealing the acid-free protective backing to the frame. This foil layer, which is a non-yellowing, permanent acrylic adhesive, also provides an effective barrier for protecting and sealing the artwork.

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